1.4.6: 1460 - 1585 - Private libraries (bibliophily)


The ownership of books in the Netherlands was, until well into the fifteenth century, mostly a matter for the higher nobility and for institutions such as monasteries. Non-noble lay persons also possessed books but seldom many. The possession of books increased during the century as is shown indirectly by a rise in manuscript production and the introduction of the printed book. Sixteenth-century humanism promoted the creation of scholarly libraries while increasing literacy and the Reformation brought the book within reach of more and more people.

Bibliophily followed, at a distance, the dissemination of the book described above. In the North, the court of Albrecht of Bavaria, Count of Holland, formed around 1400 a centre of bibliophily for which expensive manuscripts were manufactured. The centre of gravity of bibliophily lay, however, in the South at the Court of Burgundy. Duke Philip the Good (1396-1467) possessed one of the richest collections of his time. Part of the manuscripts - especially those of a religious nature - were produced in Flanders under his patronage. Philip's great-granddaughter, governess Margaret of Austria (1480-1530) showed great interest in the Renaissance and Humanism. She brought part of the scattered Burgundian library together again and added many codices as well as some of the best printed works. Religious writings predominated, but secular literature was also represented. In the library of her successor, Mary of Hungary (1505-1585), history and the sciences were better represented while her interests in music and the writings of Erasmus can also be seen.

In 1544, William of Orange, at the age of 11, inherited René of Chalon's many expensive manuscripts and printed books which were placed in the castle of Breda. When he fled in 1567 various bindings appeared to have been added which had his coat of arms.

Long after the introduction of printing, the image of bibliophily was still determined by manuscripts. Some collectors had a dislike of printed books. Raphael de Marcatellis (1437-1508), illegitimate son of Philip the Good, and himself a great lover of books, had texts copied for his collection from incunabula. Likewise, the patrician Lodewijk van Gruuthuse (1422-1492) of Bruges, owner of the hymnbook manuscript which was named after him, had a luxurious copy made of a 1485 Boëtius edition.

The number of book collectors increased rapidly during the sixteenth century. Marcus Laurinus (1480-1530), also from Bruges, not only brought together an expensive library but also paid for the Officina Goltziana, the first private press in the Netherlands. Like those of Jean Grolier his bindings bear the words 'Marci Laurini et amicorum'. The Amsterdam banker, Pompejus Occo (1480-1537), brought together a library with manuscripts by, among others, the humanist Rudolf Agricola. Extremely celebrated was the library of Canon Jan Dircsz van der Haer of Gorkum (Jan with the Books, † 1538), placed at the Hof van Holland in 1531.

The most important private libraries in the Northern Netherlands, established after about 1550, may be characterised as scholarly libraries, although bibliophily was certainly an issue. Examples are the libraries of Canon Huybert van Buchell of Utrecht (1513-1599) and of diplomat and man of letters, Marnix van Sint Aldegonde (1540-1598).

All these collection activities contributed considerably to the survival of expensive books in particular.


author: W. Heijting
 
 


Private libraries (bibliophily)



materials for covering bindings

Definition: flexible material which completely or partly covers the spine and boards of a book.



cotton bindings

Definition: binding covered with cotton.



cloth bindings

Definition: binding covered with linen.



leather bindings

Definition: binding covered with leather.



vellum bindings

Definition: binding covered with vellum.



bindings

Definition: cover of a text block, consisting of two stiff, semi-stiff or flexible boards and a spine, which protects the gatherings or separate sheets of the text block.



general purpose bindings

Definition: hand-made binding executed in simple but strong material with few or no decorations, meant for frequent usage.



hand-made bindings

Definition: binding made by hand.



edition bindings

Definition: bindings which are, contrary to hand-made bindings, machine-made in a number equivalent to the print run of a new publication.



de luxe bindings

Definition: binding executed in valuable material and with special decorations.



prize bindings

Definition: book which (for instance for end-of-year promotion) donated by a grammar school to an excellent pupil; in the Netherlands it was usually bound in vellum and with the coat of arms of the relevant town in gold on the covers.



bindings sewn on thongs which are laced through the covers

Definition: vellum binding of which a part, the laced thong, of each vellum slip is woven through the joints of the binding.



tooled bindings

Definition: binding with a decoration, mainly applied by means of tools.



twin bindings

Definition: two bindings belonging together which share the same lower board; the front of the one binding borders on the spine of the other.



publisher's bindings

Definition: hand-made binding or binding produced by machines, which has not been made to order for the buyer, but which has been affixed to the book by the publisher.