4.2.4: 1830 - 1910 - Copy, composition, printing (printing presses, printing ink) and correction


The techniques of typesetting and printing used during this period have been described in a number of manuals for the professional. In addition to some correction manuals and format books, we have the first printed Dutch printers' manual dating from 1844 and written by P.M. van Cleef, followed by a second, of 1854-1860 by C. Schook, whereas at the end of the century, R. van der Meulen published his manual in four editions, each revised (1883 to 1905). After 1900, when professional training courses for the printing business were being organised, a series of instruction books for typographers is published.

These technical sources - together with presses and tools still extant and the material study of the books themselves - show the great changes that occurred in typesetting and printing in the period from 1830 to 1910. Although the essential actions remained the same (setting lead type, locking-up in a forme, inking, printing by pressing paper onto the forme), a mechanisation can be observed in the trade which, just as the general industrialisation in the Netherlands, gained momentum rather late in comparison to other countries: only after about 1855 did this mechanisation begin to spread and only after about 1880 did it become more or less general.

During almost the entire period, the lack of type continued to be a problem in typesetting, so that working with standing type was almost impossible and every new issue had to be composed anew. This last problem could be solved by means of stereotype, but this was not used on such a large scale as in the Anglo-Saxon world. The early composing machines (invented around 1840) that worked with existing type also remained a curiosity in the Netherlands, but the 'hot' typesetting machines that were invented in the United States in the late 1880s (Linotype and Monotype), were successful: they did not compose existing type but matrices with which type was then cast in the machine. In this way they avoided the lack of type; they worked faster, also because distributing became superfluous: if no further reprints were required, the composition was melted down again. Where a hand compositor could set approximately nine hundred characters per hour, these typesetting machines reached five thousand characters per hour. The first of these machines (a Linotype) was installed in 1894 at Binger's in Amsterdam, but until 1910 they were used only in a few large newspaper-printing shops.

Proofs were usually drawn from composition not yet made up (galley proofs). Proof reading was carried out either by a corrector in the printing shop or by the publisher. Initially the author could correct only if he stayed near the printing shop (as the type had to circulate quickly); only larger printing houses could forward proofs, but even then they had to be returned quickly. Not until the arrival of the typesetting machine could proofs of the entire book be forwarded and read as a whole. The industrialisation process implied that stop-press corrections and cancels were rarely used.

The mechanisation of printing went faster than that of typesetting. The wooden printing presses were in general use until approximately 1855, but even before they could be replaced by the iron hand presses (Stanhope, Columbia, Albion), the high-speed press arrived on the scene in which a cylinder rolls over the flat forme. This cylinder press was introduced round 1830 and had gained some renown by 1855, but only after 1880 was it used on a large scale. Where the production speed of the wooden and iron hand presses was about 100-125 sheets per hour, the first printing machines produced 500 sheets per hour, while the next generations of cylinder presses realised twice that speed and more. Driven by a steam engine, these presses made production even faster and less expensive. For printing newspapers the rotary press was developed which became successful after 1910.

For small printed matter (trade printing and the like) a separate type of press, the jobbing platen press, was developed in the United States after the middle of the nineteenth century. Introduced in the Netherlands soon after, the platen press remained in use for small printed matter until the middle of the twentieth century.

The inking was no longer done by means of ink balls, but with the ink roller, both in the iron hand press (manual) and in the platen press and all types of printing machines (automatic). Until about 1850, when factory-made ink became common, the ink was prepared by the printers themselves.


author: F.A. Janssen
 
 


Copy, composition, printing (printing presses, printing ink) and correction



xylographic printing

Definition: 1. printing process used in the 15th century for books in which text and image are cut out of a block of wood and are printed from that block;. 2. impression made according to this process.



printing houses

Definition: establishment or firm where books are printed.



art of printing

Definition: the art of reproducing written texts by means of movable type as it was applied for the first time in the middle of the 15th century in Europe.



printing on demand

Definition: printing publications on demand by means of a high-grade laser printer instead of a printing press. Makes it possible to produce small print runs at a relatively low price.



intaglio printing

Definition: printing technique whereby the image is cut or etched in the forme (plate or cylinder), inked and transferred to the paper by pressing it forcefully against the forme.



printing capacity

Definition: production capacity of a printing house or printing press, measured in the number of printed sheets per time unit



printing ink

Definition: sticky substance, containing pigment, used in printing the forme.



printing houses

Definition: establishment or undertaking where printing takes place.



printing- publishing houses

Definition: establishment of a printer-publisher.



printing establishment

Definition: 1. printing office. 2. general term for all establishments and institutions which play a role in the production of printed matter.



printing materials

Definition: collective term for all material needed in the production of printed matter, machines as well as tools and raw material.



printing presses

Definition: 1. general term for a device or machine for the printing of books, plates, etc. 2. the whole of the activities carried out in the printing and distribution of texts.



automatic printing presses

Definition: apparatus or machine for printing books, plates, etc., automatically operating, i. e. not driven by human power.



printing process

Definition: collective term for all activities necessary in the production of printed paper.



printing techniques

Definition: collective term for the various technical procedures (letterpress, intaglio, planographic printing, screen print, foil print) used to transfer or multiply text and/or image on to paper or other material.



printing sheets

Definition: the printed sheet as it is produced on the printing press, to distinguish it from a folding sheet.



letterpress printing

Definition: printing process whereby the inked parts of the forme are raised above the non-printing ones.



printing privileges

Definition: right for the protection of printers and publishers against the illegal reproduction of printed matter before the introduction of the modern copyright.



newspaper printing offices

Definition: office or company where newspapers are printed.



printing types

Definition: metal stick with on it the raised image of a letter, figure or symbol, with which printing can be done in relief.



collotype printing shops

Definition: printing shop where printed matter is produced by means of the collotype process.



music printing

Definition: printing musical works; generally executed with one of the following techniques: letterpress, lithography or photolithography.



copperplate printing

Definition: printing process in which a copperplate press is used.



rotary printing

Definition: printing process where use is made of a rotary press.



printing the white

Definition: 1. first printing of a sheet whereby the front is printed. 2. printed front of a sheet.



planographic printing

Definition: printing process with a flat forme (stone or metal plate) on which by a process involving chemicals the image to be printed holds the printing ink, while its surrounding area rejects it.



screen printing (1) screen print(2)

Definition: 1. printing technique whereby the ink is pressed by a squeegee through a fine-meshed textile or metal screen in which a stencil has been put. 2. print made by this procedure.