4.2.4: 1830 - 1910 - Copy, composition, printing (printing presses, printing ink) and correction


The techniques of typesetting and printing used during this period have been described in a number of manuals for the professional. In addition to some correction manuals and format books, we have the first printed Dutch printers' manual dating from 1844 and written by P.M. van Cleef, followed by a second, of 1854-1860 by C. Schook, whereas at the end of the century, R. van der Meulen published his manual in four editions, each revised (1883 to 1905). After 1900, when professional training courses for the printing business were being organised, a series of instruction books for typographers is published.

These technical sources - together with presses and tools still extant and the material study of the books themselves - show the great changes that occurred in typesetting and printing in the period from 1830 to 1910. Although the essential actions remained the same (setting lead type, locking-up in a forme, inking, printing by pressing paper onto the forme), a mechanisation can be observed in the trade which, just as the general industrialisation in the Netherlands, gained momentum rather late in comparison to other countries: only after about 1855 did this mechanisation begin to spread and only after about 1880 did it become more or less general.

During almost the entire period, the lack of type continued to be a problem in typesetting, so that working with standing type was almost impossible and every new issue had to be composed anew. This last problem could be solved by means of stereotype, but this was not used on such a large scale as in the Anglo-Saxon world. The early composing machines (invented around 1840) that worked with existing type also remained a curiosity in the Netherlands, but the 'hot' typesetting machines that were invented in the United States in the late 1880s (Linotype and Monotype), were successful: they did not compose existing type but matrices with which type was then cast in the machine. In this way they avoided the lack of type; they worked faster, also because distributing became superfluous: if no further reprints were required, the composition was melted down again. Where a hand compositor could set approximately nine hundred characters per hour, these typesetting machines reached five thousand characters per hour. The first of these machines (a Linotype) was installed in 1894 at Binger's in Amsterdam, but until 1910 they were used only in a few large newspaper-printing shops.

Proofs were usually drawn from composition not yet made up (galley proofs). Proof reading was carried out either by a corrector in the printing shop or by the publisher. Initially the author could correct only if he stayed near the printing shop (as the type had to circulate quickly); only larger printing houses could forward proofs, but even then they had to be returned quickly. Not until the arrival of the typesetting machine could proofs of the entire book be forwarded and read as a whole. The industrialisation process implied that stop-press corrections and cancels were rarely used.

The mechanisation of printing went faster than that of typesetting. The wooden printing presses were in general use until approximately 1855, but even before they could be replaced by the iron hand presses (Stanhope, Columbia, Albion), the high-speed press arrived on the scene in which a cylinder rolls over the flat forme. This cylinder press was introduced round 1830 and had gained some renown by 1855, but only after 1880 was it used on a large scale. Where the production speed of the wooden and iron hand presses was about 100-125 sheets per hour, the first printing machines produced 500 sheets per hour, while the next generations of cylinder presses realised twice that speed and more. Driven by a steam engine, these presses made production even faster and less expensive. For printing newspapers the rotary press was developed which became successful after 1910.

For small printed matter (trade printing and the like) a separate type of press, the jobbing platen press, was developed in the United States after the middle of the nineteenth century. Introduced in the Netherlands soon after, the platen press remained in use for small printed matter until the middle of the twentieth century.

The inking was no longer done by means of ink balls, but with the ink roller, both in the iron hand press (manual) and in the platen press and all types of printing machines (automatic). Until about 1850, when factory-made ink became common, the ink was prepared by the printers themselves.


author: F.A. Janssen
 
 


Copy, composition, printing (printing presses, printing ink) and correction



marbled paper

Definition: decorated paper with a marbling effect produced by placing drops of colour on a liquid surface (the marbling size), using a marbling trough.



brocade paper

Definition: kind of decorated paper: hand-made paper, coloured with a brush on one side on which a (imitation) gold leaf decorative pattern or picture is printed.



laid paper

Definition: hand-made paper or (mostly) imitation hand-made paper with a fine screen of water lines.



glossy coated paper

Definition: highly-glossed paper.



hand-made paper

Definition: hand-made paper, laid or not, made with a mould, usually with watermark and deckle edges.



wood-pulp paper

Definition: paper containing ground wood-pulp with many small impurities, usually easily torn; cheap but not durable.



wood-free paper

Definition: paper that does not contain wood-pulp, but which is made from pure cellulose and/or cotton or linen rags. It has a beautiful colour and is durable.



paper boys

Definition: person who daily delivers a paper in the letterbox of readers with a subscription.



lignin-rich paper

Definition: kind of ligneous paper: lignin is an element of wood. It causes a rapid ageing of paper whose fibrous composition consists partly of lignin.



Lombardy paper

Definition: name for imported paper of Italian origin, common until the end of the 17th century.



rag paper

Definition: kinds of paper that have been made entirely of rags. As soon as rags are only partly used in a kind of paper, then this is rag-content paper.



machine-made paper

Definition: paper made using a paper machine



marbled paper

Definition: kind of paper used inter alia for bindings: paper on which - by a special process - a decorative pattern, which sometimes resembles marble, is created by applying a thin layer of paint of two or more colours, or paper printed with an imitation resemblingit.



bulky paper

Definition: paper which combines great thickness with a relatively light weight (used by publishers to make small books look more voluminous).



acid-free paper

Definition: paper with a neutral pH value (about pH 7), mainly used in conservation and restoration.



paper

Definition: general term for a material produced in the form of reels or sheets, formed by draining a suspension of vegetable fibres (rags, straw, wood, etc.) on a sieve and usually used, after sizing, for writing, drawing or printing; the name 'paper' is used for aweight of up to about 165 g/m2, 'cardboard' or 'board' for a higher weight.



permanent paper

Definition: alkaline paper which satisfies international standards as regards composition and physical properties, so that a durability of at least 150 years is guaranteed.



Troy paper

Definition: name for imported paper of French origin, used until the end of the 17th century.



paper finishers

Definition: workmen in a printing office who hang the damp paper up to dry on a line after it has been printed.



paper conservation

Definition: the restoring, stopping or preventing paper decay caused by acidification and wear and tear.



paper mills

Definition: industrial concern in which paper is produced on a large scale.



paper manufacturers

Definition: 1. owner, employer of a papermill. 2. producer of hand-made paper.



paper formats

Definition: dimensions of a sheet of paper.



paper wholesale businesses

Definition: company that resells large quantities of paper, supplied by producers, to printing offices and other businesses.



paper trade

Definition: economic activity of trading paper, i.e. the buying and selling of paper, as intermediary between production and consumption.



paper traders

Definition: someone whose profession is trading paper.



paper industry

Definition: collective name for all branches of industry concerned with the production of paper.



paper machines

Definition: machine with which paper is formed, pressed, dried and smoothed, from cellulose fibres and other paper ingredients. The result is turned into rolls or cut into sheets.



paper mills

Definition: water mills or windmills where the production of handmade rag paper took place. The drive mechanism of the mill was used to move the beaters loosening the rag fibres.



paper research

Definition: 1. testing paper to judge its appropriateness for a certain use. 2. analysis of paper to determine age or origin.



paper production

Definition: 1. the total of paper produced. 2. paper making.



kinds of paper

Definition: collective name for variants in paper, originating in the use of different raw materials, sizes and production methods.



paper splitting

Definition: in book restoration: the splitting of paper into two layers which are pasted together again after a support layer has been placed in between.



paper treaters

Definition: labourers in a printing office who wet the paper before printing, so that the ink is absorbed better.



decorated paper

Definition: collective name for all sorts of decorated paper whose decoration has come into being either during the manufacturing process or by graphic or other final processing of the sheet of paper.



woodblock paper

Definition: kind of decorated paper printed by means of wooden blocks, which are frequentlyderived from cotton print-works, with a decorative pattern in one or more colours; used especially in the 18th and 19th centuries for covers, endpapers and as pasting materialfor the boards of books.



wove paper

Definition: non-laid hand-made paper, sometimes with a watermark in the bottom edge of the paper