2.0: 1585 - 1725 - Introduction


From the moment when the Northern Netherlands declared themselves, at the end of the sixteenth century, to be autonomous districts and especially when the South, after the fall of Antwerp in 1585, once again fell under the authority of the Spanish king, the cultural focus shifted slowly but surely to the North. Among the many refugees who came northwards looking for freedom, were a number of educated printer-publishers of whom Christopher Plantin and Lodewijk Elzevier are the best-known. These immigrants gave, among other things, a tremendous impulse to the growth and development of book production and book trading in the Northern Netherlands. Thanks to the great freedom enjoyed by scholars and publishers in the period 1585-1725 in the Republic of the Seven United Provinces, the district of Holland in particular became a major production and distribution centre in Europe during this century and a half. Amsterdam, Leiden, The Hague and Rotterdam in particular played a major role. The freedom which attracted many foreigners to offer their manuscripts to Dutch publishers certainly contributed to a great extent to the exceptional and amazing development of Dutch bookselling and publishing.

In the favourable economic climate of the seventeenth-century Republic, Dutch publishers also succeeded through technical improvements such as new typefaces, small formats and cheaper production methods, in putting publications of high quality on the market which could compete with books produced by foreign publishers. The high quality of the small format text editions (editiones minores) of the Elzeviers and the atlases by Blaeu were widely known among the scholars of Europe. Moreover, in order not to have to depend on foreign imports anymore, the Dutch, from the end of the sixteenth century, also applied themselves to the production of their own paper. The paper mills of the Zaanstreek and of the Veluwe were increasingly able to provide for the domestic demand in the course of the seventeenth century.

As the degree of literacy in the Northern Netherlands was very high by European standards, the reading public in this period continued to grow. Books were read by practically every level of the population causing the production of books to increase enormously. The domestic market was very important in this, especially for Bibles, psalm books and hymnbooks, or almanacs. Books in Dutch therefore formed a large part of the general book production. As these booklets were often read to shreds, relatively few have survived so that the numbers of these publications cannot even be determined approximately. The distribution practices of the booksellers were improved by new methods in this period. In addition to restricted auctions, where complete private libraries were sold in public, the number of public auctions in which booksellers auctioned shop stocks and remainders of their own publications increased considerably during the seventeenth century. Starting in the 1660s, booksellers also introduced editions to which one could subscribe in advance, the 'subscription editions'.

Important for this period is also that the Dutch book trade and books became to a great extent internationalised. Through the founding of its own universities, including Leiden, Franeker and Utrecht, among others, which rapidly became major intellectual centres in the Republic of Letters, and the freedom already referred to here, the number of foreign scholars and students increased throughout the seventeenth century. Accordingly, publishers and printers were given every opportunity to enrich their lists with publications that attracted interest from far beyond their own borders. Moreover, as censorship was much stricter elsewhere in Europe than it was in the Republic, foreign scholars offered all those manuscripts that could not be published in their own countries to the Dutch publishers.

Latin was initially, in addition to Dutch, the major language for the books from publishers in the Netherlands but certainly after 1650, publications in French became more numerous. This was especially the case when the publishers of the Northern-Netherlands received a major impulse in the last quarter of the seventeenth century from France where French religious politics were becoming more and more repressive forcing many Huguenots to flee to the Republic. Among them were not only many authors but also publishers and printers, while various Huguenots found employment in the book trade as corrector, illustrator or translator.

The Dutch publishers and booksellers, especially in trading books, worked for an international market. From the second half of the seventeenth century their international networks of colleague book traders was so extensive and intensive that they had warehouses that could serve the whole of Europe. They also profited greatly from the genres some Dutch publishers had specialised in such as Judaica and other oriental work for which much interest was shown abroad, atlases and even catholica which were produced for a Catholic market. Through their many foreign contacts, they knew exactly which foreign editions were very successful and did, in such cases, not shrink from reprinting these titles at sharply competitive prices.

From the second half of the seventeenth century, the international book trade was strongly supported by the French-language periodical press especially in the 'journaux de Hollande' of which the first, the Nouvelles de la République des Lettres, appeared in 1684 under the editorship of Pierre Bayle and was followed by many others. The most important new editions were announced and discussed in these journals often stating the sales addresses besides including a number of stock catalogues. Certainly from the time when the international book fairs in Frankfurt and Leipzig became less important as distribution channels for the Dutch book trade, the 'journaux de Hollande' and other international periodicals were essential.

Of course, Dutch booksellers were continually confronted with all kinds of restrictive measures. Many of the books printed in the Netherlands could, after all, not withstand the scrutiny of the censor and had to be smuggled into France or England. Shipments of books were also repeatedly confiscated by customs. All kinds of clever methods such as, for example, the use of fictitious imprints were therefore used in order to smuggle the books into the various European countries. In this way, Dutch publishers were, certainly until the beginning of the eighteenth century, able to maintain their strong competitive position.


author: J.A.H.G.M. Bots
 
 


Introduction



marbled paper

Definition: decorated paper with a marbling effect produced by placing drops of colour on a liquid surface (the marbling size), using a marbling trough.



brocade paper

Definition: kind of decorated paper: hand-made paper, coloured with a brush on one side on which a (imitation) gold leaf decorative pattern or picture is printed.



laid paper

Definition: hand-made paper or (mostly) imitation hand-made paper with a fine screen of water lines.



glossy coated paper

Definition: highly-glossed paper.



hand-made paper

Definition: hand-made paper, laid or not, made with a mould, usually with watermark and deckle edges.



wood-pulp paper

Definition: paper containing ground wood-pulp with many small impurities, usually easily torn; cheap but not durable.



wood-free paper

Definition: paper that does not contain wood-pulp, but which is made from pure cellulose and/or cotton or linen rags. It has a beautiful colour and is durable.



paper boys

Definition: person who daily delivers a paper in the letterbox of readers with a subscription.



lignin-rich paper

Definition: kind of ligneous paper: lignin is an element of wood. It causes a rapid ageing of paper whose fibrous composition consists partly of lignin.



Lombardy paper

Definition: name for imported paper of Italian origin, common until the end of the 17th century.



rag paper

Definition: kinds of paper that have been made entirely of rags. As soon as rags are only partly used in a kind of paper, then this is rag-content paper.



machine-made paper

Definition: paper made using a paper machine



marbled paper

Definition: kind of paper used inter alia for bindings: paper on which - by a special process - a decorative pattern, which sometimes resembles marble, is created by applying a thin layer of paint of two or more colours, or paper printed with an imitation resemblingit.



bulky paper

Definition: paper which combines great thickness with a relatively light weight (used by publishers to make small books look more voluminous).



acid-free paper

Definition: paper with a neutral pH value (about pH 7), mainly used in conservation and restoration.



paper

Definition: general term for a material produced in the form of reels or sheets, formed by draining a suspension of vegetable fibres (rags, straw, wood, etc.) on a sieve and usually used, after sizing, for writing, drawing or printing; the name 'paper' is used for aweight of up to about 165 g/m2, 'cardboard' or 'board' for a higher weight.



permanent paper

Definition: alkaline paper which satisfies international standards as regards composition and physical properties, so that a durability of at least 150 years is guaranteed.



Troy paper

Definition: name for imported paper of French origin, used until the end of the 17th century.



paper finishers

Definition: workmen in a printing office who hang the damp paper up to dry on a line after it has been printed.



paper conservation

Definition: the restoring, stopping or preventing paper decay caused by acidification and wear and tear.



paper mills

Definition: industrial concern in which paper is produced on a large scale.



paper manufacturers

Definition: 1. owner, employer of a papermill. 2. producer of hand-made paper.



paper formats

Definition: dimensions of a sheet of paper.



paper wholesale businesses

Definition: company that resells large quantities of paper, supplied by producers, to printing offices and other businesses.



paper trade

Definition: economic activity of trading paper, i.e. the buying and selling of paper, as intermediary between production and consumption.



paper traders

Definition: someone whose profession is trading paper.



paper industry

Definition: collective name for all branches of industry concerned with the production of paper.



paper machines

Definition: machine with which paper is formed, pressed, dried and smoothed, from cellulose fibres and other paper ingredients. The result is turned into rolls or cut into sheets.



paper mills

Definition: water mills or windmills where the production of handmade rag paper took place. The drive mechanism of the mill was used to move the beaters loosening the rag fibres.



paper research

Definition: 1. testing paper to judge its appropriateness for a certain use. 2. analysis of paper to determine age or origin.



paper production

Definition: 1. the total of paper produced. 2. paper making.



kinds of paper

Definition: collective name for variants in paper, originating in the use of different raw materials, sizes and production methods.



paper splitting

Definition: in book restoration: the splitting of paper into two layers which are pasted together again after a support layer has been placed in between.



paper treaters

Definition: labourers in a printing office who wet the paper before printing, so that the ink is absorbed better.



decorated paper

Definition: collective name for all sorts of decorated paper whose decoration has come into being either during the manufacturing process or by graphic or other final processing of the sheet of paper.



woodblock paper

Definition: kind of decorated paper printed by means of wooden blocks, which are frequentlyderived from cotton print-works, with a decorative pattern in one or more colours; used especially in the 18th and 19th centuries for covers, endpapers and as pasting materialfor the boards of books.



wove paper

Definition: non-laid hand-made paper, sometimes with a watermark in the bottom edge of the paper